About the Artist
Beverly Anderson
Beverly Anderson is a fine-art photographer who lives amongst the redwoods in Mill Valley, California. Her fascination with photography began when her husband gave her her first camera, and it has stayed with her ever since. For Beverly, the secret to a fine photograph is composition, light and happy accidents. She is drawn above all to aerial landscapes, textures and the repetitive patterns of nature: the folded green hills of California seen from the air, the red towers of Monument Valley and Bryce Canyon, the grain of an old barn door in Wisconsin, a stack of painted boxes in Portsmouth, a row of canoes in Sonoma. Her travel photographs carry the same eye for pattern and colour to the boats of Lake Orta and Lake Garda, the doors of San Miguel de Allende, laundry lines in Venice and the hills of Tuscany, and her floral studies of peonies, tulips and calla lilies bring it close up. Beverly holds a B.A. from St. Olaf College in Northfield, Minnesota, and took art courses at the University of Colorado, the University of San Diego, San Diego State and the College of Marin. Her photographs were shown in San Francisco and Mill Valley, including the Mill Valley Art Walk, and she took part in Mt. Tam Artists Open Studios. Her aerial work appears in the book Over Minnesota (Weldon Owen). Her photographs are in the collections of the David and Lucile Packard Foundation, the San Marcos Civic Center in California and Trillium Asset Management in Boston and San Francisco, as well as in private collections in California, Paris, London and Amsterdam.
“Beverly Anderson is a Mill Valley photographer who finds pattern everywhere: California hills seen from the air, weathered barn doors, Italian boats and San Miguel doorways, made with composition, light and happy accidents.”
The Process
Inside the Studio
The Painting Process
Beverly's photographs begin with noticing. From a small plane she watches the land turn into pattern: the soft folds of the California hills, ploughed fields in Minnesota, the long shadows of Monument Valley, a line of windmills on a ridge. On the ground she looks just as closely, at the peeling paint of a barn door, a stack of boards, worn bricks in San Miguel, boats pulled up on the shore of an Italian lake. She works with what the light gives her. For Beverly the secret to a fine photo is composition, light and happy accidents, so she stays open to the moment when a shadow falls just right or a colour suddenly sings. Repetition and texture run through all five of her galleries, whether the subject is a valley seen from thousands of feet up or the petals of a white tulip. Her travels, from Mexico and Italy to Holland, Sweden and Zimbabwe, fill the Travel gallery, while Mill Valley, Sonoma and the Marin coast stay close to home. Every image is chosen for its structure first: lines, rhythm and colour that hold the eye on a wall.




Where to Find the Work
Gallery Representations
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